The out of focus image is cut to create a sharp line that intersects with an architectural feature, creating a geometric shape. The combination of lexical elements (isolated image fragments) are combined to produce a syntactical whole (shape) that does not exist in either but exists in a third “world” where the two meet. The cut line follows a row of holes in the wall and touches an internal edge of the building, creating the new shape out of a combination of features internal to one picture and introduced to the other externally by a knife. This flattens the image of the building, accentuating its patterns, and also gives the blurred image the look of concrete where it meets the surface. By continuing above the building and cutting across the sky to the edge of the image, another geometric shape is produced beside it.
